Continued from To Disclosures or Crescendos (2 of 3) buckingham15@yahoo.com Right now, she deserves a few hours of normalcy. Given what his life has held lately, he wouldn't mind them either. He wouldn't even turn up his nose at the damn mini van at this moment. It's all so fucking relative. He coughs, breathing in steam, and feels like he's choking. "William is down for the count," he shouts to her, reaching. "I don't have a lot of go on here, but I'm guessing he's inherited your sleeping patterns." "I don't know," she calls over the roar of the shower. She raises her arms over her head to rinse her hair. "When he's in the right mood, he can be something of a night owl. I don't think he gets that from me." He smiles, and rubs at his eyes. The steam is starting to make him sweat. He hears the shower turn off, and Scully's pale hand pushes the shower curtain back slightly, so her pink face and shoulders are visible. He watches the water drip from her hair, down her face, along her neck, watches the way her eyes carefully avoid his. Drenched and flat against her skull, her hair seems even longer where it curves over her shoulders. He grabs a towel from the rack, the largest one but when held open it seems like nothing more than a scrap to him. She steps out of the shower and into the towel so he can cover her with it. He dries her carefully, stunned by the raw need of the moment. "Thank you," she whispers, and he pulls her back against him, kissing the sweet, wet crown of her head. - x - With the state of things in their world being what they are, she especially hates disappointing him now, and that's really the only reason that she manages to finish half of the creamy onion soup that Mulder ordered for her. Her turkey sandwich lies virtually untouched on the hotel china, though, sitting forlornly in an oily puddle of extra mayonnaise. He doesn't comment on her eating habits, just quietly sets about demolishing the cheeseburger and fries on his own plate. Her lack of appetite is hardly a new development, but she can tell he's contemplating it when he takes the room service trays into the hall. "So what's going on with the X-Files these days?" Mulder asks, joining her on the sofa again. "You got anything interesting to share?" He does his best to sound playful, flirty and carefree, but she knows he's holding back too, that they spent an entire meal without discussing what really matters. "I only get involved if Agent Doggett or Reyes ask me to," she tells him. "As hard as this might be for you to imagine, most of it feels like the same old, same old to me." He rests his elbow on the back of the sofa, leaning in towards her. His eyes look dark and sleepy, unfathomable, like he's thinking very carefully about what she's said. "You're wrong," he says after a moment. "I can imagine. I felt it myself last year. When I came back..." He shakes his head. "I guess death has a way of changing your perspective." She looks down and realizes she's tracing patterns on his knee, all five fingers swirling against his jeans. He nudges her by lifting his leg slightly. "More important things in life, right?" Mulder muses. "Still, I have to admit that it will never sit well with me. Two people down in that office that aren't you and I." He smiles, a bit sadly, and takes her hand, studying her fingernails. "I think John and Monica are doing the best they can. I think they're about as trustworthy as we're going to get," she says, and it feels like she's been practicing that line for months. What else can she tell him, she wonders. You're damn right, Mulder. The X-Files belong to us and no one but us. I walk around that office and still look for you in every corner. It seems obvious, selfish, beside the point. "It's not really the quality of their character that I'm questioning," he tells her, sounding absolutely serious. "It's more a question of temperment. Doggett walks around like he's had a bad case of constipation for the last ten years, and Reyes is so out there, she makes even *me* uncomfortable. You know that's something." He meets her eyes without cracking a smile. She grins despite herself, but manages to shake it off. "Even if all that is true," she says diplomatically, "They've both gone beyond the call of duty where William is concerned. You--" He nods, cutting her off. "Of course, I'm grateful. That goes without saying." She shrugs, not knowing where else to take this. She and Mulder have been together for so long, have been the X-Files for so long that it's difficult for her to objective. She thinks of a road in Oregon, Mulder and a can of spray paint, Mulder shouting like a lunatic at the sky, and her alongside him, shaking her finger with schoolmarm precision, reciting sections of the Bureau handbook from memory alone, hands on her hips to prove she meant business. "They're us," she says, remembering. "They're us ten years back." He smiles wryly, and she gets the distinct impression that he knows what she's thinking. "No," he asserts, with conviction. "No, I don't think so, Scully. Not even close." She studies the lines of Mulder's face closely, most of them earned while she was at his side. She thinks of every story he ever told her, every mystery he ever wanted to solve with her. She thinks of how she trusted him no matter how far gone he seemed, no matter how insane he sounded. She thinks of how many times she wanted him to be right, how many times she hoped they'd come back from the ends of the earth with Mulder's proof on a silver platter, served up pretty and validating. She thinks of how they've loved one another, through every dark, miserable year, through the frustration and boredom when it was easier to snap at one another than try and listen, through the crazy, blissed-out months when it seemed like they were the only two people on earth. She smiles over at him, nods. "You're right, Mulder." Moving closer to him on the sofa, she leans into his body. "Not even close." He shuts his eyes, like he's listening to music. His arm goes around her, while his other hand plays with a throw pillow. They have made an art out of talking around their feelings, in conveying what they feel by saying every but what really matters. Easier to talk about Doggett and Reyes than to actual acknowledge the truth: they are lost without one another. They are utterly dependent on each other, can barely feel anything without one another. "Fuck," Mulder groans against her forehead. "I miss you so goddamn much, Scully. You're sitting here, right next to me, and I already miss you. Missing you in anticipation or something." She runs her hand along the space where his t-shirt has ridden up from the waist of his jeans, and stretches up to kiss the corner of his mouth. "I know," she whispers. "I know." She closes her eyes when he pushes her back against the cushions. Even in her arms, he seems as elusive as starlight, moving too quickly for her to really hang on. She wraps her body around his, and refuses to let go. - x - Tomorrow night there will be at least three states between them, and a week from now, there could be as many as a thousand miles separating them. All he wants is something to hold onto, something to prove that the life he remembers isn't some dream or delusion. He wants to ask her to tear up his back with her nails, so he'll have scars to carry with him, so every time he steps under the spray of a shower, he'll feel the sting of reality telling him that it's all true. The sofa is narrow, and he feels like they're clinging to the edge of a cliff, about to free fall into an abyss. It would be easier to just roll onto the floor, but maybe that's not the kind of memory that Scully wants to take with her, quick and desperate on a rough hotel carpet. He's not about to stop and ask her. No words, because that's not how things are done between them. Why do they need words when they have this, he thinks. What could he possibly need to hear that she isn't telling him right now? His fingers grip the fabric of the sofa, trying to keep both of them from falling. Scully bites her lip, and throws her head back, like a spooked horse. He sinks his teeth into her pale throat, gifts her with a purple bruise, her own personal reality check. - x - She is piled atop Mulder, feeling broken down to her essential elements, boneless and rubbed raw, and she worries that she might fall off, with his chest heaving as it is. She is definitely sore, vaguely uncomfortable, but she loves the feeling. She loves that she can still feel the burn in every place Mulder touched. She has never been one to dwell on life's small cruelties or injustices; it has always simply been the way the world worked. She remembers her father, in his naval uniform with its gleaming brass buttons, bending down to her five year old eye-level, saying softly, over the thwack, thwack of Bill playing basketball, of Melissa singing jump-rope rhymes and beating nylon against the pavement, "You have to understand, Starbuck. Life isn't always fair. It is what it is." She's never forgotten, never really took the time to shake her fists at the heavens and demand answers. Not until Mulder was taken from her. Now she has lost all pride, and rails against God, the sun, stars and moon, everyone who can hold their loved ones close and safe at the end of the day, on a regular basis. What would Mulder think if he knew, she wonders. She sits up carefully, settling in the space between Mulder's legs, and drags her fingers across his chest. His eyes are closed, but the corners of his mouth twitch to an almost smile while he tries to catch his breath. Beneath them, the couch is a mess, but she tells herself that it's someone else's problem. The stickiness between her thighs does remind her of one thing, though. No birth control. She feels the panic of a teenage girl, the 'Oh God, what will I do if...' alarm of girls in tiny cinderblock dorm rooms. Six months after his birth, and she still doesn't know how they were able to conceive William. It could happen again, she panics. Another innocent child used as a pawn in a game so much bigger than any one of them. She could kick herself for being so stupid, so shortsighted, so careless. Mulder would too, if she brought it up. It'll probably hit him sometime in the next couple of days, and he'll torture himself endlessly. She knows him too well. He shifts, his lashes sticking to the sweaty skin under his eyes when he blinks in the light. She tries to pinpoint what it is that makes him so beautiful to her, but it's as impossible as when she watches William sleeping and searches for it in him. There is a still a scientist, alive and well, in her head that wants to analyze everything, to know the reason behind everything she sees. She wants answers. Her heart, however, has learned to look the other way, to do nothing but feel. "You okay?" Mulder croaks. He lifts himself up so he's leaning back against the arm of the sofa, and rubs her neck. She nods, cupping his knee in her palm. "Cold?" he asks, with a strange tenderness in his voice. Stupid question, she thinks. The room has been too warm since the moment they first checked in, and now they're both sweaty and feverish. He must catch on because he doesn't wait for a response. "Thirsty?" He is smiling now, aware of how awkward this all feels, that his solicitousness is only making matters worse. He reaches stiffly for the bottle of water on the table, shakes it in his hand, like he's trying to tempt her. Smirking, she takes it from him, twists off the cap, and takes a long swig. When she hands it to him for his own taste, a small bit trickles down his chin, and he wipes it away, with his usual grace. In the barely there light of the room, he looks star-kissed, silvery and luminous, like no one else she's ever seen. He has always been that way. Two years ago, April in full swing, Mulder freshly returned from England, and Scully had had one of those rare moments of stunning, gripping clarity that pushes a life forward. They left the basement together one evening, walking away from the Hoover Building without a thought as to where they were headed. When she finally came back to herself, pulled out of some Mulder-induced stupor where the heat from his body was the only thing she was aware of, they were on the Mall. Above, the sky was dark as eggplant, with indigo swirls near the horizon and behind the trees. The wind that blew across smelled like rain and freshly cut grass. The cherry blossoms seemed to have bloomed overnight, and they were pale and fragile against the plum sky, like sugar flowers on a cake. Somewhere, a street performer was playing the flute, and she could hear some tragic, beautiful melody just beyond the trees. Mulder tipped his head back, closed his eyes and breathed in deeply. This is what the world looks like with him, she thought. This is how Mulder makes the world look. Two months later, he was abducted, and the world went back to its colorless, soundless monotony. He is rubbing a knuckle into his eye, yawning. She reaches over to trace the puckered scar on his shoulder. "You amaze me," she tells him, shaking her head. "From the very beginning really, but you're always becoming something else, something more to me." He smiles, as if he doesn't quite believe her, and plays with her hair. "I hate being apart from you, but I hate it more that William doesn't get to know you, that he doesn't know what it's like to have you in his life. I don't just want him to be safe, Mulder. I want him to have everything." Mulder licks his lips, and his mouth hangs open while he tries to think of something to say. She kisses his cheek, just because she wants to, and he turns into her, like he's searching for the sun. "We're going to find a way," he whispers. "We're going to make sure that kid is safe and happy and healthy. You have to believe that." She swipes at her tears with anger, annoyed with herself. Mulder takes her chin between his thumb and forefinger, and kisses her, short and sweet. "I believe that," she tells him, her eyes still closed. "I trust you, Mulder. You know that." When she looks up at him, he nods briskly. She's made him nervous, she knows, and her guilt rages again. She strokes her fingers through his hair in apology. "I should check on William," she says, rooting around on the floor for basic clothing. "Yeah," he agrees absently, watching her dress. He gestures at the mess they've made. "I'll try to do something about this." She stands in front of him in what amounts to nothing more than underwear, and they stare at one another for a long moment. "Okay," she says, turning. "Okay," he agrees. - x - This is what he is working for, a moment of astonishing normalcy, of wasted time and evening routine. He stands at the foot of the bed, pressing his fingers against the knot in his neck, and watches. William's pajamas are bright blue, with small footballs, baseballs, and basketballs scattered across them. Propped up against a couple of pillows, he looks like a little prince, holding court in their warm hotel room. Scully sits beside him on the bed, in just her tank top and panties, looking through her travel bag. The bedside light is harsh, but it only makes her skin seem paler than bone, thinner than air. Her small feet, with their shiny red toes clutching the dull metal of the bed frame, fascinate Mulder. He knows that he could hold one in the palm of his hand, and it reminds him again how fragile she is. She smiles up at him, just as William tries to stuff his entire hand in his mouth. "I really wish I had a camera right now," Mulder says, ruefully. Scully lowers her head, hair covering her face, but he can see curved line of her mouth. "I actually have some pictures for you. There're a couple from Christmas when my mother insisted on putting him in a little Santa suit. You'll like those." Mulder smiles, leaning back against the dresser. "Any chance I might get a couple of you?" The hair is carefully pushed back from her face, though her eyes shift self-consciously. "I think there might be a few of the two of us together," she says. He nods, pleased. Beside him, William's stuffed bunny lies on the dresser. He hands it to his son, who has abandoned the idea of a fist in his mouth and is looking around for something else to cram in it. William takes it very gingerly, and starts sucking on one of the bunny's ears. "What's this guy's name?" he asks, lying across the bed beside William. Scully looks over, and shrugs. "He doesn't really have a name. We call him 'Bunny.'" William moves his head minutely, almost like he's nodding, then blinks slowly at Mulder, waiting for him to react. "We can do better than that. Right, buddy?" Mulder rubs his finger against the pale terry cloth material of the rabbit's belly, scrutinizes it carefully. William laughs, thinking they're playing some kind of game. He slaps at the toy trying to mimic his father. "He's short and pretty squat. And let's face it, this is one funny-looking face." Scully is at the dresser, unfolding her pajamas, but he can still hear her restrained laughter. William looks up at Mulder, bouncing himself slightly. "I got it!" Mulder declares. "How about Melvin?" Scully laughs outright, turning with her pajama bottoms fisted in her hand. "Oh, Mulder, that's not nice." "What? It's a good, honest name. Right, William?" He holds up the rabbit, so it's at the baby's eye-level. "Say hello to Melvin the Bunny." William grabs the toy, holds it for a moment, then dumps it on the bed and goes back to sucking on his fingers. "I think you've been vetoed," Scully says sagely, wandering off to the bathroom. Mulder huffs out a laugh, smiling despite himself. He picks the toy up and plays with the floppy ears. It wouldn't be difficult to swipe the rabbit tomorrow morning, stuff it in his bag and carry it off to parts unknown, with Scully and William none the wiser. He wants so badly to have something to take away with him, and one fuzzy bunny doesn't seem like too much to ask for. But then, it's the one stuffed animal that Scully brought with them, so it's probably the kid's favorite. He rolls over and watches William grab at the corner of the comforter, try pulling it loose. He looks down at the bunny. "Sorry, Melvin," he says, quietly. "No road trip for you." - x - At home, there are tricks that she employs to fall asleep. If William is in the room with her, she tries to match her breathing to his. She's counted sheep on occasion, and silently recited the Declaration of Independence, Shakespearean sonnets, whatever she can remember, until she drifts off. She is almost always forced to resort to the same last measure, though: imagining Mulder's heartbeat in the dark and quiet of her bedroom. There have been more than enough times when she's flanked hospital beds, resting her palm or head on his chest, willing him to come back to her, so she's well-acquainted with its sound. She tries to hear it now, with Mulder lying beside her, but she can only hear her own, the sheets rustling around her, a bird warbling out in the parking lot somewhere. She tries to imagine their lives a year from now, tries to imagine that they'll have found some semblance of peace, by their standards anyway. She tries to imagine that Mulder and William will have really gotten to know one another, that she'll be able to play doting, overjoyed mother without looking over her shoulder every moment, without waiting for objects to fly through the air by themselves. She tries to imagine that she and Mulder will have had the chance to get used to the change between them, that their relationship will not be the same stop-and-start series of stolen moments that it is now. She tries to imagine being able to say it to him, tries to imagine being able to hear it from him without feeling her chest constrict -- I love you, said simply, easily, without death looming, without the fate of the world on their shoulders. Just the truth and nothing but. "Scully," Mulder says, out of the blue darkness. He sounds annoyed. "I can hear you thinking all the way over here. You've got to get some sleep. There's a long drive back for you in the morning." She rolls toward him, but doesn't answer. There's a long drive back for her in the morning. Away from this room. Away from Mulder. She feels a twinge of homicidal rage. Mulder presses his lips against her shoulder, not kissing her but breathing against her. Across the room, William makes a groggy, barely awake sound, then settles down again. She can't reach him where she is, so she blindly reaches out to stroke Mulder's hair. "He looks like me," Mulder says, quietly. "He has your eyes, but otherwise he looks like me." She remembers what that realization felt like for her, how it seemed to break her heart and put her back together all at the same time. "Yeah," she whispers, but not without her voice breaking. "He's beautiful." Mulder must be shaking his head, because his nose rubs back and forth against her shoulder, like a tease. She wonders what he's thinking. Her mother, she knows, has avoided pointing out this quirk of genetics. She laughs at William's full smile, but only says, "Oh, he's definitely got those beautiful blue Scully eyes!" Maybe she thinks it would be too painful for her daughter to hear the truth, that as William's gotten older, his hair has only grown darker and darker, that his smile is so achingly familiar, it's no stretch to imagine what Mulder's baby pictures look like. Her mother is only trying to protect her. It hardly matters at this point, Scully thinks. Her fingers skip along Mulder's rough cheek. "I can't look at him without seeing you," she tells him, but feeling like she's speaking only to herself. Mulder lifts his head, but she only sees the shadows of his face in the dark. She feels him reach out to play with her cross, the only slash of light in the room. "Don't saddle the kid with that baggage, Scully," he says. He tries to keep his tone light, but she understands what he's really saying. "I mean, getting stuck with this nose is bad enough." He nuzzles against her neck, like a particularly friendly puppy. She thinks that William has actually lucked out, that along with whatever special junk DNA he may have inherited from Mulder, he's got a face with character to spare, with a rare kind of expressiveness that breaks hearts. She hates herself for despairing at the sight of his familiar, pretty pout. She hates herself for being so ungrateful. In the dark, she cups the back of Mulder's neck, and tries to dream. - x - He's starting to get sick of these melodramatic scenes they find themselves forced into again and again, like they're stuck in some mawkish black-and-white movie where a fatal illness or shameful secret keeps them saying good-bye, good-bye, good-bye. Standing back, balanced carefully on a concrete parking slab, he watches Scully settle the baby in his car seat. The lot holds a few other cars, but it's barely six a.m., so they're entirely alone. If there weren't church bells ringing somewhere behind the hotel, he might think they were the only ones left in the world. There we go again, he thinks. Buying into this tragic, overly romantic bullshit. When William is comfortable, his bunny tucked snugly under his arm, Scully gracefully backs away, avoiding Mulder's eyes, so he can say good-bye to his son. She is fighting a losing battle with her tears, and he wants to tell her to pull herself together, get a grip and accept that this is the way things are, because he simply can't stand the sight of her weeping openly, wearing her broken, burning heart on her sleeve for him to see. It's just not the Scully he knows. But he imagines it's something she heard often as a child; he can picture her no-nonsense father telling her to 'Buck up, little sailor,' encouraging her to smile through the tears, to be stoic in the face of her pain. He forces himself to bite his tongue for that reason alone. Beside the open car door, he crouches down, knees on dusty pavement, and looks in on William, who seems groggy and about to drift off. Mulder takes his small hand, strokes it, shakes the curled fist. When he kisses the baby's forehead, William smiles through a few impressive spit bubbles, then closes his eyes. "See you soon, buddy," Mulder whispers. "Be good for your mom." Scully is standing back by the trees, arms crossed over her chest. She tilts her head, looking up at the dingy sky, and he sees her lips tremble around a ragged sigh. He rummages through his bag, and finds the torn, battered file folder that he's been holding off on giving to her. He takes a deep breath, and offers it to her. "I want you to take a look at this when you get home, all right?" He watches her turn the folder over in her hands. "It's a possible answer. A temporary solution maybe." She nods. "Read it and see what you think." She nods again, clutching the folder to her chest, like it's a love letter, a romantic offering from the heart. In their fucked up world, he supposes that's what it is. It's his way of saying that he wants to give her everything she's ever wanted. He hopes she understands. "You better get going," he says, checking his watch. "Me too." "Mulder--" "Wait to hear from me, okay? I'll be in touch." "How long?" she asks, frowning when she realizes that he isn't about to answer her. He lays his hands on her shoulders, feels hard bone beneath the soft material of her jacket. She's still the steely Scully that he knows so well. Underneath all of it, she's still there, holding the pieces together. "Be careful," she whispers, stepping in close, wrapping her arms around his waist. "Take care of yourself." "Always." He smiles against her forehead. "I know you'll kick my ass if I don't." She lifts her head, chin tipped back, and he bends, presses his mouth to hers, remembering a thousand moments when he felt like doing this very thing but held back, savoring the feel of her lips because it'll have to last him for a while. When he pulls away, her eyes are still closed. "Go on. Get going. Before Skinner and Doggett launch a manhunt," he says, pressing his body against hers, pushing her toward the car. She blinks at him, confused. "Come on," he teases. "You know no one can resist the Scully charm." She sniffs once, but moves mechanically toward the car, tugging on the sleeve of his jacket as she turns. He waits as she settles herself behind the wheel, turns on the engine. He hikes his bag up on his shoulder, and watches her dark car disappear from the lot. He knows how she sees him. She thinks that he is driven by some virtuous mission to save the world and all its inhabitants, and she sees him as noble and self-sacrificing because of it, if not hotheaded and reckless at times. She sees herself as selfish, as concerned solely with personal tragedies and dangers. But he knows the real score: for nine years, she's saved his world on a daily basis, in ways that no one else will ever know about. If this thing is going to work at all, it's going to be because of the two of them together. He looks down at the empty parking space that just held her car. Under the lead-colored sky, he starts walking in the opposite direction. - x - Here, then, is their same old life. Mulder is the answer man, with a pocket full of ready explanations and a head full of unorthodox ideas. Scully does the analysis, shoots them down or helps them float. It's give and take, point and counterpoint carried to the extreme, their very own problem-solving dance. They've long stopped looking at their feet. He is flighty, prone to spilt-second leaps of logic that would make a lesser man's head spin. She requires facts, the simple, basic truths that will do the job of illuminating their path. He is driven by the fundamental idea of family, of holding his together by whatever means necessary. She finds her faith in him, in knowing that wherever he is, he is moving the black, hopeless heavens and the crumbling earth to do the right thing, to do what he thinks is best for her. Never wavering. At least once an hour, he wonders why the hell she's stuck with him this long, what the hell she sees in him, and she contemplates all the ways he's blown her life wide open, every miracle that he's allowed her to see. At the end of the day, she only prays that he will be safe, and he only hopes that he won't let her down. Same as ever. - x - The End - x - Thank you for reading. Please feel free to share your thoughts or comments at buckingham15@yahoo.com